1. After the drawing do a bit of masking on the round bead at the heart of the flower. Use a dab of diluted neutral tint on the three lower petals, to catch the pleating. Let it dry.
2. Winsor Yellow for the three lower petals, a glaze over the neutral tint. Strengthen the yellow at the centre. Let it dry.
3. For the top 2 petals, Winsor Violet with a dash of our favorite Quinacridone Magenta.
4. This is the magic bit, glazing WViolet over the yellow. Pre-wet one of the three lower petals, dab a bit of the WViolet along the outside edge, set aside your paintbrush (put it down!) and tilt the paper to let gravity carry the paint towards the heart of the flower, then tilt it back before the violet completely covers the yellow. Let it dry. Repeat for each of the remaining lower petals. Let them all dry.
5. Rub off the masking fluid and touch up the centre bead with a bit of pale green.
6,7,8,9.... Final touches and tinkering - the purple veining, the leaves, the extra touches of puple here and there. No two flowers are exactly alike, and so it goes with painting.
"Yet mark'd I where the bolt of Cupid fell: It fell upon a little western flower, Before, milk-white, now purple with love's wound, and maidens call it love-in-idleness."
William Shakespeare, A Midsummer Night's Dream